Perhaps the most well known alternative
advertising technique is the viral video. Short videos,
usually humorous or controversial, are created. These
videos are different from traditional commercials in
that the goal is generally to entertain the audience,
not to inform them about a particular product. While
information transferal often occurs as well, the aim
of the viral video is to amuse. The idea is that getting
the product into the public consciousness is the best
thing that you can do; if people are curious, they will
look up the details themselves.
This model makes the consumer active in the process
of advertising. The consumer seeks out the product,
meaning that they are already putting forth more effort
than the traditional television-watcher. Because the
consumer has been active, the likelihood that the
particulars of the product will stick with them is
greatly increased, meaning that when the consumer
does need to purchase something like the product,
they will be more likely to remember the particular
product that they viewed the viral video for.
Consumer-Generated Content
This active model of consumer involvement extends
beyond merely making customers search out further
information on their own. Many viral video campaigns
seek out consumer-generated content. They ask people
to create the advertising that they will disseminate
virally over the web.
Take Converse, maker of the ubiquitous “Chuck
Taylor” high tops, as well as athletic shoes
of all stripes, which used online video promotion
to collect 24 seconds films for use in a future TV
campaign. Converse asked fans and filmmakers to create
short works that embodied "the values and spirit
of Converse." The grand prize was $10,000 and
the opportunity to have one’s video used in
a national, traditional television advertising campaign.
The exposure for aspiring filmmakers was the main
draw. Even if one’s video did not win the grand
prize, all submissions were posted online at the ConverseGallery,
viewable to anyone with internet access.
According to an article in the Boston Herald, Converse
received 250 submissions within the first three weeks.
The gallery, where the submissions are still viewable,
drew 3 million visits within the first three months.
The campaign's objective, according to Converse executives,
was to facilitate "a conversation among those
in our community." Given the age and mobile lifestyle
of the brand's target market, placing the films online
first made perfect sense. Submissions could be “road-tested”
to see which ones had the greatest impact simply be
keeping track of how often each one was viewed, and
how great the penetration for each video was by keeping
track of how often they popped up on other websites.
All of this could be accomplished for a price still
far below the cost of a television ad buy in primetime.
In another (slightly different) example, Georgia-Pacific
used viral video techniques and user generated content
to relaunch its Brawny paper towel brand. Brawny had
a definite image, a strong, burly paper towel represented
by a strong an burly man. However, the Brawny man
was decidedly stuck in the seventies. To rectify this,
Georgia-Pacific created a more modern, sensitive character
that is now being promoted with an interactive ad
campaign that includes tongue-in-cheek online videos
designed to create consumer buzz, as well as more
traditional television commercial and print campaigns.
The launch of this entertaining viral video campaign,
in which the new, modern Brawny Man caters to a woman's
every whim, demonstrates an understanding of the viral
video market by Georgia-Pacific that few other large-name,
traditional companies can boast. Developing a successful
online video campaign is not as simple as creating
a commercial and then offering it for online viewing.
Brawny's and Converse's online video efforts differ
from unsuccessful attempts because they don't rely
on re-purposed material or typical ad spot formats.
They are perfect expressions of the “active
consumer” model: the company kept it’s
own involvement to a minimum. The consumer did the
work of getting the word out about the product. In
Converse’s case, the consumer created the ad
itself.
The online video is an advertisement in disguise;
it entertains within the context of a brand, builds
enthusiasm by providing access to exclusive material,
and reinforces the relationship between consumer and
company through interaction.
Viral Penetration
Video may still be in its infancy compared to other
Internet marketing methods, such as paid search, but
it's gaining momentum, and fast. Broadband Internet
penetration exceeds 55 percent in U.S. households,
according to Nielsen//NetRatings. This rising access
to high-speed internet coupled with television innovations
like DVRs make online ad campaigns more and more attractive,
even to the most traditional advertisers. DVRs allow
viewers to simply skip over ads they don't want to
watch, making passive delivery a losing proposition.
The consumer must be interested in and excited about
the product, and viral video campaigns both generate
and prove this interest and excitement. Internet users
are not wowed by ads that can be just as easily viewed
offline. They're looking for originality, entertainment,
and purpose. They don't want repackaged television
ads.
Consumers may find rehashed material on the Web they
missed on TV, but that doesn't generate brand excitement
or word-of-mouth promotion. In many ways, online video
that is little more than re-purposed television advertising
represents a missed opportunity.
Video has been being pushed as the next big thing
for years. There are increasing numbers of online
video publishing formats, and new platforms better
allow users to interact with video ads. The stage
is finally set for traditional marketers to make the
most of a medium that's been underutilized for far
too long. Will these marketers innovate or continue
to misguidedly use online video as a TV substitute?
The answer lies in consumer reaction. If just a small
number of advertisers lay the groundwork for online
video campaigns that serve a definable purpose and
show quantifiable success, many traditional companies
will surely be persuaded to do the same.
Until then, let's hope Internet users don't start
viewing online video as the desperate offline marketer's
attempt to reach them. There's no telling how many
Brawny Men it would take to reverse a reputation like
that.